“Can I stay with you in the art shack?”
They walked
through a gap in the rock wall and followed a sort of path through the
brambles.
“Do you think
that’s a good idea? To stay with Suspect No. 1? Especially since we set a limit
on the relationship? I hope you have
an alibi.”
“What, you don’t?”
“Nope. How could
I, living in the woods alone? I don’t know why I haven’t been remanded into
custody yet. Anyway, this is a time you’re supposed to be with family.”
“You feel more
like family than Catherine. And my brother—he always took my mother’s side. I
think he’s still angry with Daddy. But oddly enough, he doesn’t mind Catherine.
Gets along with her better than I do. She doesn’t like me. He can stay at the
hotel.”
“You should be
with someone who loves you right now. And I do love you, if not in a romantic
way.”
“I won’t come on
to you, I promise.”
“My place is so
small it would be hard to avoid!”
“I just don’t
want to face her yet.”
The crime scene
was indeed taped off. There was not much to see here, either. Potholes where
shovels had removed dirt, whether for bullets or footprints was impossible to
determine.
“I don’t feel
anything,” said Kate. “Daddy isn’t here, anywhere.”
As she walked the
perimeter of the crime scene tape, Bobby checked out the sightlines from the
copse. Or “viewsheds,” as they were known on Block Island. He could not see the
Bakers’ house at all. Nor the spec house Greg was working on. So many empty
houses on the island at this time of year. He could just catch a glimpse of the
new house with the awful driveway. Just a dormer. For a second he thought he
saw movement in the window.
“What?” said Kate.
“Do you see
anything in that window?”
“No.” She looked.
“Cloud reflections? I’m done. This is just depressing. I don’t know how people
on CSI can get anything from looking
at a crime scene. I see nothing. Doesn’t tell me anything. I need to help me
find out what happened. You have to help me.”
“Merry and I are
trying,” he said.
“Merideth? The
garden club lady?”
“The President of the Garden Club. You don’t
want Nancy Drew. Merry’s smart. And she knows this island. Plus, she has skin
in the game. Somebody’s not only out to incriminate me, but draw her in, too.”
They headed back
down the path. Bobby glanced over his shoulder but saw no movement in the
dormer.
He knocked on Merideth’s door and walked in.
The two sitting
inside looked guilty.
“Would you like
some tea?” asked Merideth. She belatedly realized that her tone was a hair too
bright. She handed a cup to Kate. “Or something stronger? I have wine. Whiskey.
Coffee.”
“Tea is fine,
thanks.”
“You have any
beer, Merry?”
“I might. Let me
check.”
“I’ll have one
too, if you do,” said Bill.
She brought a beer
and a glass for Bill and a bottle of beer for Bobby, who liked to say that beer
was already in glass. “Bill has been telling me about his acting career,” she
said.
Bill looked at
his hand, apparently both admiring his immaculately shaped nails and deploring
the scratches on his knuckles. “I really think I have a shot with this pilot,”
he said.
“What pilot?”
asked Kate.
“I didn’t tell
you? It’s one of these Internet-only shows. Amazon. Anyways, I was trying to
tell Ms. Winfield here about our dad. But I told her you knew him better.”
Kate sat still.
“I think it’s
important,” said Merideth. “Otherwise, how can we know what happened to him?”
Kate looked down
at the floor. Looked up. Sighed. “He is a lot like Bobby, really. Smart. Talented.
Incredibly strong sense of design and aesthetics. Rough around the edges but
not really. A cowboy affect and a Stanford degree.”
Bill looked at
Bobby. “You have a Stanford degree too?”
And a
record, thought Bobby, looking Merideth’s hooked rug. “Yale,” he said.
“Jeez,” said Bill.
“And you’re driving a cab?”
“It’s a good
life,” said Bobby, who had heard this so many times before that he wanted to
kick something. “Maybe better than getting manicures and kissing casting
directors’ asses.”
“Sorry. Just
surprised.”
“Also, both are suddenly
pissy without warning,” said Kate, breaking the tension.
They all laughed.
Hi Mrs. Dowling,
ReplyDeleteI'd like to start off by saying after perusing your blog for a little while, I'm quite enjoying myself. I was a little confused at first by seeming to have stumbled across a novel in the making, but now I believe I shall have to go back a few years to to catch up, your writing style is phenomenal.
However I actually wanted to get in contact with you to ask if I could request an interview. My name is Alysa Bradbury, and I'm currently a senior at Judge Memorial High School in Salt Lake City, Utah. I am writing a research paper on the effects of child abuse on the later lives of victims for my Language and Composition class. In the course of my research I came across an article of yours "Violence lessons: abusive behavior begins at home. First, the children fear it. Then they copy it." from 1998. I know that that's from a pretty long time ago, but this article really caught my attention. This is a topic that's pretty personally significant for me, and I was wondering if you would be willing to answer a few questions for my research paper.
Thank you very much for your time,
Alysa Bradbury
Questions: What is the most difficult part of being a journalist, and why did you decide to retire?
Why did you investigate this particular story about Brenda's experience and her family?
What feelings struck you as you wrote this article? Did you feel sympathy for the people you were writing about?
Alysa B Did you ever get my message? You can email me at claudiaglenndowing@yahoo.com
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